An Interview with Melody DeBenedictis: "Painter of the West and Its Wild"

How Moving to the West and Wild Horses Have Influenced Her Paintings

High Plains Glory 24" x 30" Oil on Gallery Wrap

EquuStyle: Where did you move from? And, how does living in the West affect your work? 

Melody DeBenedictis: I grew up in Florida, and from there made my way up to South Carolina, North Carolina in the mountains and a short time in the Tennessee mountains before making my move west. The landscape of the west is incredibly inspiring by its vastness. The smells, the sights, the sounds… it's an incredible experience that keeps drawing you in to the wild.

Tree Hugger 36" x 48" Oil on Canvas

EquuStyle: How would you describe yourself as an artist?

Melody DeBenedictis: I have been called prolific. I would say that I am disciplined and motivated.  Having two galleries teaches a great discipline to just paint. I used to wait for this euphoric high, and would be up for days straight painting.  As I had a retail gallery, early on it taught me the value of discipline.  Even if I wasn’t ‘feeling it’…I learned over those early years, that if I would just ‘show up’ at the canvas, whether I felt it or not, the creative would come as the brush hit the canvas. It's been a liberating experience to know that as I show up, so does the creativity within.  The motivation, that comes from the work itself, knowing the work is created in hopes of bringing positive change as each painting tells the story of our wild land, wildlife and the wild mustang.

EquuStyle: How do you hope to evolve as an artist? 

Melody DeBenedictis: Constantly growing in skill level. My work has come a long way over these 14 years. I paint on an average of 5 or 6 days a week. I have purposely not used aids, such as grids or projectors in my work. I have desired to continually push my skill level, working from eye to hand to canvas.

I have a greater understanding of the art industry itself, though that is constant ebb and flow, and am always learning. Staying flexible is essential to success. If we become rigid as an artist, it can limit our growth creatively and from a business perspective. I always say, ‘I don’t want to be famous, I just want to be rich’.  Obviously I am not there yet, Lol…  it takes money to do great exploits.  Can I be happy if I don’t reach a level of fame, of course, but I paint to bring change. So of course the money would give me a greater ability to ‘give’ in ways that I would love to help in so many ways.

At Copper Pond 30" x 30" Oil on Canvas

EquuStyle: Which artists have influenced your work the most?

Melody DeBenedictis: There have been many, but over the last few years, I would say Mark Maggiori has captured my attention, as he has many others. His work is amazing and he has reached a level of ‘fame’ in his work that gives him the freedom to do what he desires to do around his business and his work. 

I think when musicians, artists, other creatives reach a level of fame, opportunities open to drive the direction they want to move in. Art is fickle, so pleasing your audience while staying true to ourselves in our craft is always a challenge. As I watch other artists, it's not just the work they create, or the skill level of their craft, but I watch to learn. To learn how to be a better business person along with constantly working to increase my creative skill level.

Wide Open Wild 24"x 30" Oil on Canvas

EquuStyle: What is it about the West that most informs your paintings?

Melody DeBenedictis: Well, obviously wild mustangs are foremost. The grandeur and size of our western frontier is always desirable to paint the landscape as much as the wild mustang and wildlife. Light play is a huge factor in creating compelling art. 

Composition is next on my list. And, I love color.  When you travel across the west, it’s the diversity of the range that is moving. You have the desert, the plains, the mountains, the big skies above. Depending on the season, it literally comes alive; even the smallest rainfall can bring vivid life to the landscape.

I would hope that my work showcases the beauty of our western landscape, and the wild that call it home. I feel extremely fortunate that I get to do what I do, see what I see, experience what I experience, and then come back to the studio and recreate those experiences on canvas to share with the general public, giving them the opportunity to enjoy the wild in their own home.

EquuStyle: Where will you be traveling to take reference photos or paint on location during the coming months?

Melody DeBenedicitis: We’re in conversation about that even now, lol.  I am looking to go north into Wyoming and perhaps up into Montana before shooting back down home into Colorado. There are several roundups of wild mustangs which are very disruptive to herds, family bands and even the land itself, the timing of planning may be interrupted depending on where we choose to travel. That conversation is on to make some decisions on where to go.

Storm A Comin" 30" x 40" Oil on Canvas

EquuStyle: Are there particular wild horses that you have come to know and enjoy painting?  

Melody DeBenedicitis: I love the Sand Wash Basin of Colorado, of course because that was my first introduction to wild mustangs and to wild lands. But Wyoming, the Dakotas, areas of New Mexico, Nevada are also favorites on my list of favorites.

EquuStyle: What is the story behind “Meteor, Stallion of the Sand Wash”?

Melody DeBenedicitis: Meteor has a special place on the basin as he is the only of his color. After losing ‘Picasso’ who was known worldwide, it will be interesting to see which stallion is next to reach the acclaim that Picasso did.

Meteor has a beautiful color and countenance on the range.  He remains a bachelor stallion at present, it will be fun watching as he continues to mature to see how he does as a stallion with his own band of mares. To date, he seems content running  as a bachelor with his guy friends, lol.

EquuStyle: How has the work of wild horse advocates, such as Ginger Kathrens of The Cloud Foundation and wild horse photographer and advocate Carol J. Walker impacted your work?

Melody DeBenedicitis: We can learn a lot from them. They have been in the field a very long time. Ginger is a wealth of information as she has dealt with the BLM (Bureau of Land Management) for years.  Her documentation of herds and input is invaluable for the preservation of our wild herds. 

Carol , I met early on as well and have a great respect for the work she does, keeping the public informed and showcasing the beauty of our wild mustangs and the land. There are so many out there doing their part to make a difference. Supporting the work of advocacy is an important part of bringing positive change. In a way photographers and painters are the ‘eyes’ of what is currently happening on the range as they spend so much time out there. They know the herds, they see the landscape, they are the "catalog" of keeping a record of our wildlands in a way that the BLM doesn’t have the staff to do.

EquuStyle: How are you promoting your wild horse paintings as a “bridge” to educate the public about the plight of America’s vanishing wild horses? 

Melody DeBenedicitis: The raw beauty of "wild" compels people to want to know more. Traveling, doing shows, events, having a galleries…wild horses are not a "hard sell". Few people know much about wild mustangs.  The paintings are my way of "introducing" them to the public. The stories always come as folks ask questions.

There is a lot of propaganda out there, it's one of the biggest reasons I started traveling myself, I wanted to know first hand about the dynamics that surround the plight of our wild lands and the wild mustangs. It’s a politically driven issue that doesn’t have one solution to the diversity of issues that surround our wild mustangs and burros. It will take compromise on both sides to find solutions to assure wild mustangs, burros, wildlife, and the land itself can flourish. The demand of competitive industry on our landscape is fierce, it will take a willingness on both sides to bring sustainable resolutions to preserve the land and the wild.

Watchful Drinker 30" x 30" Oil

Wild Connection 36" x 36" Oil

Snow Cat 36" x 48" Oil

EquuStyle: What is most important for people and collectors to know about you and your work?

Melody DeBenedicitis: I am convinced that Art can bring change. Art is a form that from its beginnings has always told a story. Art is timeless. I am committed to being one of those artists with a passion to make a difference on behalf of our wild lands and those that call them home.

The importance of preserving our wild places is essential.  To lose the land and the wild would be a loss that cannot be described.  Sanctuaries and preserves are great to have, but the element of "wild" doesn’t exist there like the true wild. Once animals no longer have the social dynamics of "family" etc. between them, they are changed. It's important to recognize "wild" and do our very best to preserve it as it is with as little intervention as possible.

Bays And Blues 30" x 40" Oil on Gallery Wrap available at https://www.melodydebenedictis.com

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Melody DeBenedictis

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EXHIBITION/AWARDS:

2011 MUSTANG MAKEOVER, FORT COLLINS CO

2011 EXTREME MUSTANG MAKEOVER, FORT WORTH TX

2012 MUSTANG MAKEOVER, WY

2011 CHERRY BLOSSOM GALLERY SHOW, CO

2012 SPIRIT OF THE WILD HORSE SHOW, SANTA FE NM

2012 LOVELL MUSTANG DAYS, WY

2012 TERRITORIAL DAYS, NM

2012 STABLES GALLERY “HORSES” SHOW, TAOS NM

2013 WILD HORSE ART SHOW, MAYBELL AND CRAIG CO

2014 LAS VEGAS NM STUDIO TOUR

2015 THUNDERING HOOVES, BEVERLY HILLS CA

2015 THUNDERING HOOVES, TX

2016 THUNDERING HOOVES, MARFA TX

2016 THUNDERING HOOVES, SANTA FE NM

2016 CELEBRATING THE HORSE SHOW, SANTA FE NM

2016 LAS VEGAS ARTS COUNCIL STUDIO TOUR NM

2018 ANGEL FIRE STUDIO TOUR NM

2018 ANGEL FIRE ART UP NM, SECOND PLACE AWARD

2019 THUNDERING HOOVES, FORT DAVIS TX

2019 EQUUS FILM AND ART FEST, SEDONA AZ

2019 WILD MUSTANG SHOW, LIVERMORE CO

2020 SANGRE ART GUILD WESTCLIFFE, FIRST PLACE

2020 EQUUS FILM AND ART FEST, WINNER

2021 EQUUS FILM AND ART FEST, WINNIE WINNER

2022 EQUUS FILM AND ART FEST, RUNNER UP

2022 SANGRE ART GUILD WESTCLIFFE, SPECIAL AWARD

2022 EQUUS FILM AND ART FEST, HONORABLE MENTION AWARD

2022 SANGRE ART GUILD WESTCLIFFE, PEOPLE’S CHOICE AWARD

2022 SANGRE ART GUILD WESTCLIFFE, FIRST PLACE AWARD

2022 EQUUS FILM FESTIVAL, WINNIE WINNER

2022 SANGRE ART GUILD WESTCLIFFE, FIRST PLACE AWARD

2022 VALLEY HARVEST SHOW, BECKWITH RANCH, WESTCLIFFE

2022 SANGRE ART GUILD WESTCLIFFE, SECOND PLACE AWARD

2023 ROCKY MOUNTAIN HORSE EXPO, DENVER CO

2023 COWGIRL GATHERING FORT WORTH STOCKYARDS

2023 MUSTANG SUMMIT, EQUUS FILM AND ART FEST, SECOND PLACE AWARD

2024 365 ART&COLOR ONLINE EXHIBITION/COMPETITION, ARTIST RECOGNITION

OTHER OUTSIDE ACKNOWLEDGMENTS:

"THEIR LAST RIDE” DOCUMENTARY FILM 2016

MEMBERSHIPS:

PRO MEMBER "CGA"- COWGIRL ARTISTS OF AMERICA ASSOCIATE MEMBER "WAOW"- WOMEN ARTISTS OF THE WEST ASSOCIATE MEMBER SANGRES ART GUILD, WESTCLIFFE CO

PAST GALLERY REPRESENTATION:

2012 GRAND TETON GALLERY, JACKSON HOLE WY

2012 CREATIVE SPIRITS GALLERY, FORT COLLINS CO

2014 THOMAS GALLERY, TAOS NM

2016 RUNNING HORSES STUDIO, LAS VEGAS NM

2023 MELODY DEBENEDICTIS FINE ART GALLERY, WESTCLIFFE CO

All images Copyright Melody DeBenedictis -all rights reserved. Cannot be reproduced for any purpose without permission from Melody DeBenedictis.

#melodydebenedictis #wildlifeartist #award-winningwildlifeartist #wildhorseartist #wildmustangartist #horseart #equineart #equinefinart #wildmustangs #wildhorses #wildhorseadvocate #horses #equustyle #equustylemagazine

Capturing the Majesty: Mastering the Art of Photographing Horses

New Zealand Horse Photography Workshop with fine art equine photographer Tony Stromberg

Imagine traveling to an exotic location like New Zealand with one of the world's top ten fine art equine photographers, Tony Stromberg to photograph horses. Or, traveling to Central California during April to learn tips about photographing wild horses.

Mastering the art of photographing horses is a transformational experience for many horse enthusiasts. Add traveling to a unique location or witnessing wild horses in a sanctuary make the adventure even more special.

New Zealand is exotic and the landscape is wildly variable from volcanic terrain to glaciers. Traveling to Christchurch, New Zealand during the summer of 1985, we encountered vast, pastoral beauty and saw countless stars blanketed by a pitch-black night sky. Each day traveling through the countryside was magical and the people were very friendly.

For many people an opportunity to travel to New Zealand may be a once-in-a-lifetime experience. It is a treasured memory for me and I do hope to return. Huka Falls is a particularly picturesque location on the South Island with one of the highest flowing waterfalls in the world. New Zealand has a lot to see and absorb with whatever amount of time you spend in this pristine country.

Traveling to New Zealand to photograph horses and visit the area will be a memorable experience for anyone who loves to travel. Learn more today at https://tonystromberg.com/product/equine-photography-in-new-zealand/

"Mustang Mood" by fine art equine photographer Lori Sorvino

Or, why not take a 3-day workshop and learn how to photograph rescued mustangs on a 2,000 acre sanctuary in San Luis Obispo, California, April 23-24-25, 2024? Return to Freedom photo safaris are fundraisers for the nonprofit organization Return to Freedom.org which is a national wild horse conservation organization focused on sanctuary, conservation, advocacy, and education.

Return to Freedom Photo Safaris are offered by fine art equine photographer Lori Sortino. For more information and to register visit http://essencecaptured.com/workshops/return-to-freedom-photo-safari/

Not only will you discover how to take incredible images of wild mustangs with Lori Sortino and her associates, but you will be supporting a very worthy nonprofit that works to protect America's wild horses and burros.

Lori describes "Mustang Mood" with these words. "I love creating these dramatic back or side lit images during what we call the 'golden hour' near sunset when the light is so beautiful!" This image is currently available printed on canvas at the H. Chaval Coffee and Gifts in Paso Robles, California, (805) 221-5170.

To learn a little about Return to Freedom Wild Horse Conservation, watch this short video:

"Robert Redford Stands with America's Wild Horses"

Please read EquuStyle Art & Travel's Disclaimer https://www.equustyle.com/disclaimer 

#wildhorses #equinephotography #horsephotography #newzealand #returntofreedom #horsephotographyworkshops #mustangsbefree #wildmustangs #wildhorseadvocacy #tonystrombergphotography #essenceapturedphotography #horses #burros #rescuehorses #rescueburros #wildhorsesanctuary #equustyle #equustylemagazine

Unveiling Photographer and Advocate Carol J. Walker's Passion for Wild Horses

Carol Walker wild horse photographer, one of the world's top ten fine art equine photographers, discusses her unrelenting advocacy for wild horses.

"Picasso Runs Up" The iconic wild stallion Picasso runs up a hill in Sand Wash Basin, Colorado

EquuStyle: Photographer and magazine publisher of Top Teny, Alex Mitchell’s article “Hoofbeats in Focus: Celebrating the 10 Best Equine Photographers” includes you in the top ten. How does it make you feel to be recognized as one of the top fine art equine photographers in the world?

Walker: It’s nice to be recognized, and if it helps get the word out about wild horses that is great.

EquuStyle: What is the one thing you wish you knew when you started taking photos?

Walker: When I was young I always wanted to be a writer. I was passionate about reading and writing, and I also loved photographing animals. I wished I had known that there was a way a marry those two loves and that I would someday in my books and blogs.

"The Wild Family" A mare with her foal and yearling colt before dawn in Palomino Butte, Oregon

EquuStyle: At what point in your career did you decide to begin taking photographs of wild horses? #wildhorses

Walker: I started my business photographing horses and their people in 2000. I had been photographing wildlife all over the world, but decided to focus on horses since I knew them so well, owning horses since I was 12 years old, and running a horse boarding stable for 3 years before starting my photography business.

I had a friend ask me in 2004 why I wasn't photographing wild horses, and I said wild horses? I don't know anything about them. A week later I received an invitation to photograph wild horses in Adobe Town, Wyoming. I had no idea what to expect.

As we drove out through the dry high desert lands with dramatic landscapes, we suddenly began to see horses at a distance. And we spotted ears in the sagebrush. An entire family of wild horses lying down for a mid morning nap. When I got out of the pickup truck, the stallion, a battle scarred grey started running toward me. I barely breathed. He stopped, and one of his fillies came up next to him and it looked as though she was grinning at me. I was in love.

I kept going out to visit that area of the Adobe Town Herd Management area every month for over a year. I started to learn about the herd and their habits, and several families whom I encountered on just about every visit. Then I found out the Bureau of Land Management was going to roundup

and remove most of these horses I had come to know. I went to the roundup and was horrified to watch helicopters driving them into traps, separating the families, and trucking them away from their homes forever.

I could not even look at the photos until 4 months later, and I decided that I wanted to show people that these horses were not starving but incredibly well suited to these lands, that they were beautiful and proud and free, that they had relationships, and deserved to live out their entire lives in their

homes with their families. That was why I published my first book, Wild Hoofbeats: America's Vanishing Wild Horses in 2008. I honestly thought that those of us working as wild horses advocates would save our wild horses in a few years. And now it is 2024 and they are more in jeopardy of extinction than ever.

"Nuzzle" Wild mare Tradebead and her colt Tonkowa share a tender moment in the McCollough Peak, Wyoming

EquuStyle: How do you tell a story through your photographs?

Walker: A still photograph has to tell a story in one frame. when I select the images that I want to show people, and I often select images that show a close up of wild horses, that evoke their wildness, their power, or I love showing images that display a relationship, like a tender moment between a mare and a foal, two stallions who are wary friends, and entire family on the move to water together, for example.

EquuStyle: What do you believe makes your images successful?

Walker: I am able to capture the spirit of the horses in my images. My very favorite thing to photograph is horses running - I think that is when they are at their most joyous and elemental. But I also love the quiet moments I spend with wild horses, when they may look at me, let me sit with them and be in their world with them, and sometimes approach me and there is a sense of communion, connection. I want to show that to people who see my images.

EquuStyle: In what ways has your work as an advocate for wild horses impacted how you photograph wild and domestic horses?

Walker: It has changed everything. I have absolutely no interest in these days of photographing horses being ridden. What truly inspires me is seeing horses at liberty (for domestic horses) or in the wild, free like they should always be. I am now spending all my time photographing wild horses.

It's funny I had a friend ask me several years ago why I was still photographing domestic horses and I told him it was because people want to buy photographs of the "pretty" horses, the spectacular well-groomed Andalusians, or Friesians, not so much the rugged, dirty, and scarred wild horses. But more and more people are getting involved with wild horses these days, and I feel an urgency to be out there with them as much as I can before they disappear.

I have regrets that I did not spend more time with the wild horses of the Red Desert Complex, that I did not spend more time with them in 2022 before the horrific winter of 2022/2023 that killed over 50% of them. This year, the Bureau of Land Management is planning to hit Wyoming hard, rounding up and removing thousands of wild horses from herds that I Know and love. I plan to spend as much time out there as I can this year.

"Flying at Sunrise" Wild horses run at dawn in front of the sun in Salt Wells Creek, Wyoming

EquuStyle: You recently launched your podcast “Freedom for Wild Horses.” What has the response been like?

Walker: It's been almost a year, I can barely believe it! I launched in March 2023 and today my 26th episode came out. It has been a wonderful experience, getting to share my stories about wild horses as well as interview wonderful, committed people with a depth and breadth of knowledge about wild horses, helping educate people about the issues facing them. It's a work of love for certain. And it is an opportunity to meld several skills - writing, speaking and photographing. And it's a challenge and a new way to spread the word about wild horses and what is facing them today.

EquuStyle: You have authored four books including Horse Photography: The Dynamic Guide for Horse Lovers. What motivates you to write?

Walker: You can see what I wrote above for my first book, Wild Hoofbeats. I wrote Horse Photography after several years of going to Equine Events and Shows speaking about photographing horses. I saw a need for a book which would lay out simple guidelines to getting better photos of horses.

The next two books were about rescuing and reuniting wild horses families after they had been rounded up: Galloping to Freedom: Saving the Adobe Town Appaloosas was about 4 families rounded up in Adobe Town and removed in 2014, and then reuniting them at the Black Hills Wild Horse Sanctuary. Both of these are hardcover coffee table books full of my photographs of the horses in the wild and after the roundup and at the sanctuaries. #wildhorseadvocacy

The next book, my newest, is Blue Zeus: Legend of the Red Desert. I followed Blue Zeus for over 3 years in the wild, asked a sanctuary owner to take he and his family if I could find them in the BLM holding facilities, and he and his mares were reunited at a sanctuary.

"Blue Zeus on the Move" The wild Blue Zeus running to his family in his home in Arapahoe Creek, Wyoming

The books tell an important story about what is happening to our wild horses, and about the importance of family. And although they both have what you could call a happy ending, it is so so bittersweet. Those horses have lost their homes forever. The stallions are gelded. They won't be raising the next generation to follow them. 

EquuStyle: Is there one wild horse you have photographed more than any other? What captivates you about this particular horse?

Walker: That would have to be Blue Zeus. Blue Zeus is a blue roan pinto whom I met in the Red Desert Complex, and when I first saw him I  thought he was the most beautiful wild horse I had ever met. It wasn't just his color and his striking high stocking markings, but a calm, wise and proud presence that absolutely captivated me. Every time I visited the area, I looked for him and his family. and I spent time just sitting with him, photographing him, breathing him in. Every time I go there now that he is no longer there, I miss him.

EquuStyle: Which is your most memorable sighting?

Walker: One of the most amazing encounters I had was with that wild family I mentioned when talking about my first trip to Adobe Town. The family was the scarred grey stallion, his beautiful grey mare and their two year old and yearling fillies.

In the afternoon, the mare was heavily pregnant and when I found them the next day, there was an hours old new foal, a colt, by the mare's side. She was lying down, and I approached slowly and watched. Mares are very protective of their newborns but she let me watch. The whole family was gathered around, and the stallion drove off two bachelors stallions who wanted to take her. She got up and the foal started nursing. It was a beautiful spring day with the sun shining, and truly a magical time with this family I had come to know.

"Thor Rears" the wild stallion Thor in McCullough Peaks, Wyoming rears up to chase away another stallion

EquuStyle: Where is your favorite place to photograph wild horses and why?

Walker: That is a tough question. I have several favorite places in Wyoming. Salt Wells Creek for one - it is such a beautiful location, the horses are fairly used to people so it is not difficult to approach and spend time with them, and there are the curlies. Wild curly horses with curling manes and coats, they are gentle giants.

One of my other favorite places is the Red Desert Complex, that is where Blue Zeus is from, and it has some of the most beautiful colorful wild horses I have ever known.

EquuStyle: Over the years how do you think your style has evolved?

Walker: I know I have become a better photographer because I am better at finding the good light, getting settings, etc. but I also have become more experienced at predicting behaviors of wild horses, being able to find them, which of course is important, and I also have better equipment now which allows me to get close without being close - the long lens is essential for photographing wild horses. And I think I am known for my style with the close ups.

EquuStyle: How do you maintain your creative edge and stay inspired?

Walker: I really love what I do, and spending time with wild horses never gets old for me. It is the most peaceful place in the world for me, just sitting with wild horses. Every day with them is different, and I consider it a gift.

EquuStyle: Do you still carve out time to teach photography workshops? If so how often do you teach?

Walker: I do not teach workshops anymore.

EquuStyle: How do you balance all of the time you spend advocating for wild horses, creating your podcast, and posting on social media with photographing horses?

Walker: That's a good question. Sometimes the advocacy takes a lot of time and energy, and can be quite exhausting. I have a routine for posting on social media daily and that's the easy part. As far as photographing I take week long trips several times a year and that's where I get my images.

"Sable Island Stallion's Long Mane"

EquuStyle: What does a typical day look like for you?

Walker: That's hard - there is not usually a typical day. Right after waking up I walk my two Australian Shepherds,  throwing the ball for them in my pasture after feeding my three adopted mustangs.

The couple of months before the holidays I do a lot of shipping and filling orders. Returning emails and posting on social media is daily no matter where I am.

Sometimes I work on new images and fill orders, work on the podcast, do billing. It all depends.

EquuStyle: Whose work has influenced you the most?

Walker: One of the most inspiring wild horse advocates I know is Ginger Kathrens who is a filmmaker and has done more to raise awareness about wild horses and show people that they have lives and families and deserve to be protected more than anyone else I know. A wildlife photographer I find extremely inspiring whose work is to show the beauty of marine life and he works to protect it is Paul Nicklin.

"Black and White Stallion" the iconic wild stallion Washakie of McCullough Peaks, Wyoming chases a rival away from his mares

EquuStyle: The image of Black and White Stallion is incredible. Did it take a long time to get this shot?

Walker: This is an image of Washakie, who was always my favorite stallion in McCullough Peaks. He was a stunning black and white pinto stallion with a huge personality. From the very first time I saw him I was captivated by him.

On this morning I was near a waterhole watching the horses that had come in to drink. Washakie and his family had already drunk and were grazing nearby. A bachelor stallion approached Washakie's family and he was not having it. He started chasing this stallion away and I was right in their path. I hid behind my vehicle and as he ran by I captured him - one eye looking at me, mane flying. It was an amazing moment.#livingimagesbycarolwalker

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Carol Walker's Living Images website

Wild Hoofbeats is Carol J. Walker's wild horse education website, where the podcast is hosted: http://www.WildHoofbeats.com

All images Copyright Living Images by Carol Walker, LLC -all rights reserved. Cannot be reproduced for any purpose without permission from Living Images by Carol Walker, LLC.

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